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It’s not bad enough that Global Warming is going to take away our summer vacations at our favorite low-lying coastlines, flood our harbor cities, and drop large chunks of Greenland and Antarctica into the ocean.
Now it’s taking away books from children.
(Or a least it would be if the Canadian Government weren’t so resourceful.)
I kid you not.
Check out this article from yesterday’s Toronto Star about how the Canadian Government had to airlift 7,000 children’s books into some of the most remote northern villages because the usual route of transport–winter roads–are too dangerous this year because of Global Warming.
It was quite a sight, according to one witness in the teeny town of Fort Sevren in Ontario. “It was spectacular! The sun was shining, it was 10 below and suddenly the big Hercules came swooping into view, tipped its wings from above 800 feet above us and out came eight parachutes with crates of books floating to the ground,” said Bartleman from the tiny community about two hours from Hudson Bay.“We all jumped on the back of snowmobiles and pulled sleighs out onto the ice to load up the books. Some of the children ripped open the boxes and started to read the books right there in the snow.”
Someone better call Al Gore.
Here’s the very last word on the whole scrotum debate, straight from the author’s mouth, as it were.
Check out this thoughtful article, penned by Patron herself that ran in yesterday’s LA Times, where she explains that part of the problem behind this whole scuffle is “fear of giggling”. Well, that and the possibility that kids might actually learn something that will allow them to challenge adult beliefs and become their own persons.
“Fiction, especially, gives that reading child a tool to decipher the mysteries and paradoxes of being human. Give a child a nonfiction book explaining the cycle of life and death, and he may come to a cerebral understanding of the concepts. Give him “Charlotte’s Web” and his heart will burst. He’ll feel empathy in a deep and lasting way.”
Okay, I’ve been so focused on my ire about the great scrotum debate that I totally missed this 2/21 article about parents behaving badly in an ongoing disagreement with the Miami Public School System over several books that Cuban-American parents say portray Cuba in too rosy a way.
Apparently, one parent, fed up with all of the red tape she and her fellow “concerned parents” are having to go through to remove [censor] books from the school library, simply decided to check the books out, and never return them.
My favorite quote: “‘If you take it out and don’t return it, no kid can read it,’ Rodriguez, who is a member of the Concerned Cuban Parents Committee, said Wednesday. ‘It’s not censoring; it’s protecting our children from lies.'”
Full disclosure: ABC participated in the filing of an amicus brief late last year along with ABA, ABFEE, and many other organizations in support of keeping the books in the Library as a part of the on-going legal debate in Miami. You can see the brief here.
Thanks to Bookshelves of Doom for the good catch.
Many thanks to all of the new readers who have been visiting the site and passing along links to the Kerfuffle post these past three days. I appreciate the many insightful ideas you guys have been sending my way in the form of comments and e-mails. It warms the cockles of my heart to know that saner heads can prevail when the timid and the confused lead us off the cliffs of absurdity.
Hello faithful readers. This review was actually the VERY FIRST review I posted to pixie stix, and I wrote it first because it was one of my favorite books last year. Unfortunately, that meant that it went up before anyone was regularly reading, and so it has gotten lost.
So, I am bringing it back one more time, BECAUSE IT’S THAT GOOD! It will even keep adults up late–I lost sleep over it–and it’s a great choice for teen book clubs. Go get this book!
Life As We Knew It
by Susan Beth Pfeffer
Harcourt, October 2006, $17.00 HC
Core Audience: Most obvious audience is girls 14+ but should be hand sold to boys because it’s so compelling
Strengths: Authentic writing, vivid post-apocalyptic scenario that will be an eye-opener for modern teens
Young readers today are so used to the comfort of technologies such as cell phones, e-mail, cable television, and the internet that most of them never stop to think about how vulnerable these luxuries are. Let alone things like electricity, food in the supermarket, gas at the gas station, and medical care at the local hospital. What I loved about this book is how effectively it shows how a breakdown in society can slowly strip away our creature comforts one by one until we are reduced to our most basic instincts for survival.
When an asteroid hits the Moon and pushes it closer to the Earth, the environmental catastrophe that results will change life on the planet forever. Unlike typical disaster movies like War of the Worlds or Independence Day, the believability of this book comes from the fact that the events take place over many months, and chronicle what a disaster might look like from the perspective of one family in one community. Told through the diary entries of a normal teen, this novel is so authentically written and so compelling that once you get into it, it will be hard to put it down. Even better, when you do put it down, it will take a few minutes to pull yourself back from the sense of impending disaster that this book will evoke in you. Ultimately, this book delivers a positive message about self-reliance and hidden strength, and it is one of my top picks for the year. Not only is it a great story, but it has an important message to send to young readers about not taking life for granted.
Scrotum, scrotum, scrotum.
Go ahead—say it with me—scrotum.
There—that wasn’t so bad, was it?
I must say, the tempest in a teapot stirred up by the press over this issue these past two weeks says a lot more about the state of information dissemination in this country than anything else.
Here’s the anatomy of a kerfuffle:
1) An author (who also happens to be a public librarian) writes a quiet book about a smart and plucky girl who has a question about an anatomically correct word, and no adult to talk to about it because she has a tough home life
3) A group of librarians from various parts of the country debate the worthiness of the committee choice on a closed list serv, and a few get really uppity about a certain word choice
4) A publishing magazine of record takes note and reports on the word and the debate, taking care to talk to people on various sides of the issue (2/15)
5) A national paper of record notices said article, and publishes a less than thorough report on the issue on its front page, fanning the flames of controversy, and capturing the attention of televised media. Kerfuffle is in full swing (2/18)
6) Media talking heads and blogosphere chime in (2/20)
7) The same paper runs a short op-ed piece to balance the scale, bemoaning the crucifixion of “a sweet, funny book”, and throwing in references to The Music Man and Balzac. (2/21)
8 ) A publishing reporter for a national wire service decides to check up on the key players for a follow-up story about how the issue became a story in the first place, and finds inconsistency and hyperbole everywhere (2/22)
9) Embarrassed librarians backtrack
10) Much ado becomes nothing. Kerfuffle subsides
I think there are some important observations and lessons to take away from this whole soap opera.
I don’t know about you, but here’s what I’ve gleaned:
Words are powerful.
“Scrotum” is a powerful word.
So is the word “banned”.
In the case of the first word, Susan Patron knew it was powerful. That’s why she used it. It was a deliberate choice, and love it or not, there’s nothing innately wrong with using an anatomically correct word. In a great little interview broadcast Thursday on the CBC radio show As It Happens (part 1, at 14:30 min.), Patron explains her use of the word and her feelings about the controversy it has provoked. (Intentional on the first count, and unrepentant and levelheaded on the second.)
Her character Lucky is a girl whose mother has died, and whose father doesn’t want her. She is also a person who loves words and whose “brain was very complicated”, so that when she hears the word scrotum, she turns it over in her mind and puzzles over its meaning. Says Patron: “Her life is complicated, but it’s not all that different from the lives of so many kids growing up. They’re just really struggling to find out about the world.” A classic theme in children’s literature, and hardly the stuff of inflammatory tabloid writing, yet here we are with our undies in a bundle. It’s amazing the power one word has.
Talking frankly about body parts may make you uncomfortable. Clearly, it has made some librarians uncomfortable. But that has more to do with personal boundaries than any objective moral criteria. Where things get a little murky is when the person with the boundary issues is the gatekeeper for the community. All I can say is that I would rather have the book available and be able to make that choice for my own kid, instead of having someone make it for the whole community by keeping the book out of the library.
Which brings us to the second word, “banned”.
Also a powerful word, and used a little less responsibly this week.
When this story first broke in a pretty level-headed article in Publisher’s Weekly on 2/15, the gist was that Librarians were having some lively debate and strong feelings about the most recent Newbery winner. This is nothing new. Over the years there have been many MANY disagreements about whether a book chosen for the Newbery was the right book. History has also shown us that many past Newbery winners who may have not been the most obvious choice when they were picked have subsequently proved their brilliance. Madeline L’Engle’s classic A Wrinkle in Time, for example.
In fact my friend, the wise and incomparable Anita Silvey, made an excellent point in conversation this past week when she observed that this debate may have more to do with people’s opinions about the Newbery process than anything else, and scrotum was just a convenient peg to hang it on. (The last three Newbery winners have been criticized in certain circles for being a little obscure, and not to the taste of many young readers.)
I can’t help but notice with amusement that no one has objected to another passage in the first chapter of the book that involves a man “who had drunk half a gallon of rum listening to Johnny Cash all morning in his parked ’62 Cadillac, then fallen out of the car when he saw a rattlesnake on the passenger seat…” Apparently rum, drunkenness, and poor taste in automobiles have nothing on scrotums when it comes to getting people in a moral outrage. (I can’t criticize the Johnny Cash. I love Johnny Cash.)
However, putting aside people’s motivations for a moment, there is a big difference between lively debate, free expression of opinion, and banning a book.
This is something I would like to point out to Julie Bosman of the New York Times. In her FRONT PAGE article on 2/18 we see this statement: “The book has already been banned from school libraries in a handful of states in the South, the West and the Northeast, and librarians in other schools have indicated in the online debate that they may well follow suit.”
Them’s fighting words, alright.
No wonder the debate escalated to the TV talk-shows. Do a search this week for “banned book” and you’ll find repeated references to it all over the media, stemming from this one NYT piece.
That’s highly provocative, and in keeping with the overall inflammatory tone of the article. But here’s my question: who exactly is banning the book? Which states? Which libraries? “The South, the West and the Northeast” is a pretty large area. Give me names, details.
Well here’s the funny thing: in a subsequent discussion I had with AP publishing reporter Hillel Italie, who was gathering material for an article he put on the wire Thursday, he told me that when he went back an interviewed the librarians quoted in the original articles, he found no one who actually said they weren’t taking the book. The best he could do was to find some librarians who were still making up their mind, and for sure no one actually said they had “banned” the book. “Even Nilsson [one of the instigators of the whole thing, see below], who complained of the book’s ‘Howard Stern-type shock treatment,’ a reference to the lewd radio personality, told the AP that she is carrying it, although she questions whether it was worthy of a Newbery. Nilsson also said that she did not know of anyone who had refused to stock it.”
I’ll ask one more time….. who is banning this book?
The word “banned” is way too powerful a word for an organization like the New York Times to be throwing around. This is particularly true in a FRONT PAGE article that went to so little trouble to talk to the many authors, librarians, and other children’s book lovers who are defending the book. Indeed, there were some spicy rebuttals in the NYT editorial pages including one from a librarian quoted in the article who resented “being portrayed as pledging ‘to ban the book’”. She goes on to explain that libraries have limited resources, and that every library has to make choices about choosing books that best serve the community. She’s not interested in banning books, but that doesn’t mean she picks up every book that’s printed, even if it has a medal on the front. Coming from a very small town as I do, I know that that’s true.
So Ms. Bosman, say what you like about Patron, at least she knows why she’s choosing particular words, and is happy to explain it.
Read the entire book before offering an opinion
Do you think Larry King read this book? How about Barbara Walters? Hummm… yet they both had something to say about it this week, further fanning the flames in the mass media. I’m not even clear that many of the librarians who were chiming in this week, (and who were so prominently quoted in the press) had read the entire book. Afterall, the first appearance of scrotum comes on page 1. Those who felt incensed may not have read any further, even though the whole arc of the story rests on Lucky’s honest question about the meaning of the word.
The most egregious case of hyperbole on this front came from the aforementioned Dana Nilsson, a librarian from Durango, CO who seems to have been at the forefront of the critical wave against the book. Her original post on LM-Net, (and quoted prominently in the NYT piece), compared Patron to a shock-jock.
“‘This book included what I call a Howard Stern-type shock treatment just to see how far they could push the envelope, but they didn’t have the children in mind,’ Dana Nilsson, a teacher and librarian in Durango, Colo., wrote on LM_Net, a mailing list that reaches more than 16,000 school librarians. ‘How very sad.”’
Later on in my favorite quote of the article, and a masterpiece in ironic understatement, Nilsson goes on to say “‘I don’t want to start an issue about censorship,’ she said. ‘But you won’t find men’s genitalia in quality literature…At least not for children,’ she added.” For my part I would point her in the direction of Shakespeare and his codpieces, Brent Runyon’s brilliant The Burn Journals, and Gary Paulsen’s critically acclaimed and very funny Amazing Life of Birds among many others. (Check out this great list compiled by GELF magazine of other children’s books with scrotums specifically.)
A little bit of knowledge is a dangerous thing, and it seems to me that Nilsson went on the record with her comments without taking time to thoroughly digest the story. Subsequently, the whole thing got away from her.
Apparently Patron agrees: “I’m sure that the person who wrote that did not finish reading the book. To be fair, if they had, they would understand that it was not at all used for shock value. It was very deliberately and carefully chosen, as a means for Lucky to…she is trying to grow up, she is trying to learn about the world …she is trying to get the tools she needs to survive emotionally in her little tiny town. And there is no one she can ask about what this word means so when [in a pivotal scene at the end of the book] she is finally able to ask her guardian the meaning of scrotum, the reader knows that we have come to a place of great trust. And that she has really found the parent that she can openly ask this question of, and get a truthful answer. Reading the whole book would give people the context they need.”
As far as I can tell, the only people involved in this whole thing who ACTUALLY read the whole book are the author, and the Newbery Committee.
My money’s on them.
What you say on a list serv may come back to bite you in the scrotum later
In this day and age, there is no such thing as a private conversation.
Especially if it involves a keyboard.
What’s new here isn’t the discussion or the controversy. As Kathleen Horning of The American Library Association’s ALSC division, (which awards the Newbery) correctly points out in Italie’s recent article “Librarians have these discussions all the time about books and ask each other, ‘How are you handling this situation'”.
This kind of debate has been happening for years anywhere that adults have to make decisions about what books to choose for children, be it in libraries, bookstores, or classrooms. There are children’s book review magazines, tradeshows, review databases, booklists, experts, and trade associations. People who work regularly with children’s books are constantly talking about the pros and cons of particular books. Everyone will have an opinion, they will all be different, and they will all be passionate.
What shifted here was that the debate leapt from the realm of private industry discussion to public discourse in the blink of an eye. I guarantee you that when those dissenting librarians made their posts to LM_Net, they weren’t expecting to be defending themselves in the New York Times.
Those of us who work in the children’s book industry have seen a tremendous shift take place with the rise of list servs, kid-lit blogs, and other electronic media. Where once there were a few established places that were the taste-makers on the subject of children’s books (like The Horn Book, Kirkus, School Library Journal, Publisher’s Weekly, and Booklist, to name a few), today everyone’s a critic. An established kid_lit blogger can be given the same weight as a print reviewer with 25 years experience—in some cases more weight, because an electronic review is so immediate—and a book can take off if a buzz starts on a list serv, even if no official media outlet has reviewed it yet.
What this also means is that the press is paying attention, and a handful of comments can quickly be perceived as a trend. Once the kerfuffle starts, there’s no controlling it. It’s like a wildfire in dry sagebrush.
So ultimately what’s the lesson here?
Should people be more aware that a private list serv isn’t really private? Probably.
Should we stop offering honest opinions about books in the quasi-public sector, even if sometimes we’re talking out of our butt? No.
Should children’s authors stop using sensitive words for fear of offending someone? Definitely not.
Should committees stop picking difficult books that challenge young readers, (and apparently some older readers too?) Hell no.
The most salient thing I’m taking away from this whole episode is a reminder about the importance of being thoughtful before offering an opinion, and to keep in mind that old adage about pride going before a fall.
Like my grandfather used to say, “Opinions are like ‘a**holes’; everyone’s got one.”
And at least half of us have scrotums, too.
Postscript 2/26: Of course, controversy sells, and in the end Patron and Simon & Schuster will come out on top. Many thanks to A Fuse #8 Production for catching this upbeat and positive 2/24 LA Times article with hometown lucky-girl Patron. Higher Power indeed.
Ever the gentleman, Neil Gaiman has a great post on his blog about how he loves librarians unconditionally, but thinks perhaps some of these scrotum-decrying ones might have gone over to the dark side.
Also, for those of you inclined to walk the walk on this whole subject, head over to Bookshelves of Doom and grab one of Leila’s fabulous T’s, as featured this week on Gawker. You go, girl!
Postscript 2/27: Check out this letter to the editor published in the 2/25 NYT from Kathleen Horning President of Association of Library Service to Children (ALSC), the division of ALA that awards the Newbery, and Cyndi Phillip, the President of the Association of School Librarians (AASL). Clearly these are the librarians Neil loves unconditionally, as we all should.
Also, head on over to From the Inside Out and check out the very wise guidelines for dealing with the press that Cyndi Phillip posted to LM_Net last week following the big dust-up. Many thanks to Liz B. at Pop Goes the Library for helping me find this.
Postscript 2/28: The very last word in the dust-up comes straight from the author’s mouth in this life affirming LA Times article published yesterday. Apparently scrotum was, is, and will continue to be a children’s literary tool.
I now declare this kerfuffle finished.
Apparently, MTV has (finally) caught on to the fact that there are some very good kids books being made into movies. I guess Holes, The Lion the Witch and the Wardrobe, Because of Winn Dixie, Harry Potter I-IV, and Charlotte’s Web weren’t really a trend, but somehow Bridge to Terabithia has pushed it over the edge.
Anyway, now that they’ve “caught the wave” so to speak, they have put together a pretty decent list of other kids books they think might be good movies.
Check it out on their website.
For me, the delicious irony of seeing Are You There God, It’s Me Margaret? right next to Flat Stanley makes me laugh. Apparently, after quoting a line like “Are you there, God? It’s me, Margaret. I just told my mother I want a bra. Please help me grow, God. You know where.” the author had flat-on-the-brain.
Leap by Jane Breskin Zalben
Random House; January 2007; 272 pp; $15.99 HC
Core Audience: Girls and boys 10+ who like stories based in reality
Strengths: Alternating viewpoints; great writing that really captures all of the conflicting emotions of pre-adolescence
These days, there are so many books being written for the middle grade audience that have grand character arcs and larger than life storylines that it is easy for the quieter books to get lost among all the destitute orphans, the young wizards, and the wise-cracking goofballs.
Here is a lovely book about a group of friends growing up in Flushing, Queens, and what happens to their small community one year when one of them has an unexpected accident. It changes not only his life, but it subtly shifts and re-focuses the lives of everyone in the community.
When Daniel almost dies due to an allergic reaction during routine dental surgery in the days after 5th grade graduation, the neighborhood doesn’t know how to react. Handsome, gifted and athletic, Daniel seems like the last boy who could have something bad happen to him. Soon it’s clear that something bad has happened, and worse—it was his best friend’s dad who was doing the surgery. It’s not as if he died, say some, while others don’t know what to think about the fact that Daniel cannot do many of the physical things he could do before, like walk without help, and swim on the school team. It is clear that his life and the lives of his family have changed radically. It’s worse for Krista, who used to be Daniel’s best friend, and who feels guilty for not reaching out to him now even though they aren’t as close as they used to be. Torn between her old allegiances, her family, and her social life, she’s not sure she can do the right thing even though she wants to.
Told in the alternating voices of Daniel and Krista, this novel perfectly captures all of the nuances of that transitional period between childhood and adolescence when identity is fragile, and alliances and feelings shift on a daily basis. In another author’s hands this subject matter could easily go over the edge into melodrama, but Zalben uses a delicate touch and real empathy for her characters which keeps the overall tone hopeful without being saccharine. There is a great supporting cast and excellent development of character and place.
In the end this is a novel about real characters–both kids and adults–having real and complicated emotions, and it perfectly demonstrates the idea that sometimes we can only discover the value in our lives by taking a leap of faith.
So when you get tired of all the hype and silliness, Leap is just the novel to keep it real.
Rainstorm by Barbara Lehman
Houghton Mifflin; April 2007; 32 pp; $16.00 HC
Core Audience: Young readers ages 3-7; Lovers of wordless picture books and mysterious keys
Strengths: Crisp illustration, magical and mysterious premise
COMING SOON TO A BOOKSTORE NEAR YOU
You remember those days.
Days when you were stuck inside—alone—on a rainy day with nothing to do and no one to play with. Everything seems to take on the same drab feeling, and nothing feels interesting.
So it is with the character in Barbara Lehman’s new book, Rainstorm. From the very start, on the cover of the book, we see our hero gazing forlornly out the window on a dark and blustery day. Although you can’t see it on the flat illustration above, colorless spot-varnish raindrops fall from the leaden sky. Clearly this is no day for playing outside. There seems like nothing to do but wander aimlessly around the big house, kicking a ball for lack of anything better to do.
BUT—and there is always a “but” in Barbara’s stories—things become a lot more interesting when or hero discovers a key under a chair, and in true Lehman style, the key unlocks an adventure bigger than any box, closet or trunk. This rainy day is about to get a whole lot more interesting.
For those of you familiar with Lehman’s previous books, Museum Trip, and The Red Book, (which won a Caldecott Honor), you will recognize her crisp artwork, appealing visual style, and engaging wordless storytelling. I particularly love the way these books manage to surprise us with plot twists and magical elements while keeping the visual story from becoming overly busy or complicated. They are a masterful study in simplicity and restraint, and because of that they appeal to a wide range of ages. Subtle details, like the oppressiveness of the big house, they boy’s tie, and his transformation once he finds the key are things to be discovered with each reading. For instance, why is there a blue sky in the INSIDE of the house on the cover?
As with all of her books, careful attention has been paid to the design and production of the book, so that it all works beautifully together. Details like the spot varnish raindrops on the cover, the larger vertical trim, and the thoughtful variation of frame and full-bleed illustration enhance the unexpectedness of the story. It is a pleasure to flip each page and see what happens next.
It is truly a wordless and wonderful adventure. I want to find one of those keys, too.